The latest release from ECMA award winning singer / songwriter Charlie A’Court sees the Atlantic Canadian blues powerhouse teaming up with country rocker outlaws “Witchitaw” for a brand-new Live album, but it is more than just a one-off live album. They have joined forces to create an exciting new touring show that will cover all three Atlantic provinces in the wake of the album’s release.
Silver Dollar Room rises from the ashes (twice): The Dollar is back at its original location, meticulously restored, but not yet open to the public. A privileged few have received a guided tour of the revived bar that was demolished along with the adjoining Waverly Hotel in 2018 to make way for a new residential property.
his month’s recommended listening by Brant Zwicker, host/executive producer of At the Crossroads syndicated blues radio. Website: atcblues.ca
Sue Foley is on the road again
Long based in Nashville, Colin Linden is recognised as a true renaissance man of roots music and the blues. As well as his solo recording career, he is a member of Canadian roots supergroup Blackie and the Rodeo Kings (alongside Tom Wilson and Stephen Fearing) and an in-demand guitarist, producer, and music director for other artists.
Prolific blues guitarist and singer/songwriter Sue Foley has at times been undervalued over the course of a career now spanning over 30 years and 15 albums. It was gratifying, then, to observe her 2018 album The Ice Queen fare so well. Arguably her strongest yet, it earned a Juno nomination, and helped her win another Maple Blues Award as Best Guitar Player and take home the coveted Best Traditional Female (Koko Taylor Award)” at the 2020 Blues Music Awards in Memphis.
Acoustic-blues veteran David Gogo used the pandemic as an opportunity to rediscover his musical roots. The result is Silver Cup, his sixteenth album, in which the Vancouver Island resident — three-time winner of the Maple Blues Guitarist of the Year Award — displays his impressive talent as a vocalist, guitarist and songwriter (he wrote or co-wrote all but one song on this recording). The CD was produced by Steve Marriner, who also plays a dizzying array of instruments here, including guitar, piano, drums and harmonica. In fact, one outstanding feature of this album is the interplay of instrumental excellence between Gogo and Marriner.
It makes sense that if David Vest decided to release two live recordings at the same time one of them would be recorded at his home base in Victoria B.C. Hermann’s Jazz Club has been part of the Canadian live music landscape since 1981. David Vest and his band have been performing there regularly since 2012. The room has the right piano and the right vibe.
Harp master, singer and band leader Mark Hummel presents historic recordings, on his latest release, that capture the spirit of, and are a welcome addition to, the annals of 70’s and 80’s East Bay Blues. Rest assured that this isn’t a nostalgic trip down memory lane but rather a documentation of 22 rare and valued recordings by a number of Hummel’s heroes, influencers, and former band mates.
Don’t be blinded by the outstanding collection of star power appearing on this timely release. Focus in on the subject matter – a celebration of all things Joey Spampinato. It’s a demonstration of appreciation and respect for this underrated talent to help NRBQ bassist, singer/songwriter and co-founder raise much-needed funds for his ongoing battle with throat cancer. It’s also a celebration of Spampinato’s overriding joie de vivre, his songwriting gifts, the rhythmic swing of his approach to his instrument and his spirited vocals. You’ll find each of these Spampinato-penned songs in NRBQ’s vast back catalogue and, if nothing else, may these fresh renderings of this material lead you back to the source for added musical inspiration and a better understanding of why these artists have come forward to pay heartfelt tribute. If you attend any party, you need to know who it’s for.
©2024 Toronto Blues Society. Design by Janine Stoll Media.
TBS logo and WBR artwork by Barbara Klunder
The Toronto Blues Society acknowledges the annual support of the Ontario Arts Council, the City of Toronto through the Toronto Arts Council and the Department of Canadian Heritage, and project support from FACTOR< and the Government of Canada through the Department of Canadian Heritage (Canada Music Fund) and of Canada’s Private Broadcasters, The Canada Council for the Arts, the SOCAN Foundation, SOCAN, the Ontario Media Development Corporation, and the Ontario Ministry of Tourism, Culture and Sport.
