John’s Blues Picks is the monthly album review column originally launched by the late Toronto-based blues historian and broadcaster, John Valenteyn. Submission can be sent to the TBS office for consideration and will be circulated to a pool of journalists and others for review in the monthly Maple Blues newsletter and placed at the Spotify playlist.
In much the same vein as last year’s Big City Back Country Blues with Brandon Isaak and Kenny “Blues Boss” Wayne, Tim Williams has partnered with Big Dave McLean and inventive percussionist Kevin Belzner to bring you another example of the benefits of collaboration, within a mix of original and traditional blues.
Having captured the sassy sounds of those early female R&B singers from the forties and fifties as shown on their first album, Cursed, Bad Luck Woman & Her Misfortunes have now incorporated that sound into some strikingly good original material plus a few more rarely heard covers.
It was beginning to look like blues horn players were an endangered species but the number of albums with guest horn sections is increasing rapidly and we are now once again seeing actual albums by working horn bands coming to the fore.
Emily Burgess rode her first album, Are We In Love?, to the New Artist MBA last year and was busily recording this one at the time of the awards.
Meghan Parnell and Dave Barnes’ band, Bywater Call, first came to our attention with the 2018 Talent Search. Led by Parnell’s magnificent voice and Barnes’ fluid slide guitar, they won rather handily.
November 12 was the one hundredth anniversary of Jackie Washington’s birth. Ken Whiteley, who is largely responsible for the late career success of the Hamilton legend, has assembled an impressive package to celebrate.
Now in her 50’s, Angel Forrest has decided to confront her age Hell Bent with Grace. Partner Denis Coulombe is right there with her along with lead guitarist Ricky Paquette as the songwriting trio.
Sue Decker is a singer/songwriter/guitarist from Victoria. She specializes in lap steel slide guitars and her set list goes from blues to folk to outlaw country.
Guy Bélanger continues his journey to take the humble harmonica to new places, to Eldorado, and he takes a superb band with him: Rob McDonald on lead guitars, Marc-André Drouin on bass and Michel Dufour on drums.
The premise of the Cobalt Prize is to reward songs that ‘creatively utilize blues traditions within the broad contemporary musical landscape’. Son Roberts has taken this to heart for his third album. He certainly has stretched the boundaries with his song structures and his subject matter is very much in the here and now: he’s very concerned about some of the things he sees around him here in Toronto.
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The Toronto Blues Society acknowledges the annual support of the Ontario Arts Council, the City of Toronto through the Toronto Arts Council and the Department of Canadian Heritage, and project support from FACTOR< and the Government of Canada through the Department of Canadian Heritage (Canada Music Fund) and of Canada’s Private Broadcasters, The Canada Council for the Arts, the SOCAN Foundation, SOCAN, the Ontario Media Development Corporation, and the Ontario Ministry of Tourism, Culture and Sport.
