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The birth of her son, Johnny Lee Copeland, led Shemekia Copeland to take a fresh look at the world he would grow up in. Never one to shy away from telling it like it is, she has assembled a hugely talented, genre-crossing guest list led by Americana producer/instrumentalist Will Kimbrough, who plays guitar throughout.

Europe sure loves the blues, many blues artists, especially Canadian ones, have toured there to great success and Cliff Stevens, from Montreal, is no exception. This album, recorded over two nights at Die Halle in Reichenbach an der Fils and the Laboratorium in Stuttgart, Germany, proves that live albums can be much more than just archival documents. He performs as a power trio, with Serge Dionne on bass and Dan Dyson on drums and all the songs are from his two previous studio albums.

Dave Barnes & Meghan Parnell of Bywater Blues as they were crowned winners by emcee Brian Blain at the end of the 2018 TBS Talent Search. The competition was held on July 1st, the last day of the TD Toronto Jazz Festival and the hottest day of the year. Other members of Bywater (not pictured because they were already on their way to the next gig) are Alan Zemaitis on keys, Mike Meusel on bass and Bruce McCarthy on drums. Glenn Marais & The Mojo Train were first runner-up, and the Lela Tequila Blues Band were second runner-up. Bywater has just finished the recording of their first album and expect a release this summer. Watch for a profile of the band in an upcoming MapleBlues. Honourable mention goes to the three other finalists, the Gavin McLeod Trio, Gravely James, and 10-year old Azalyne, probably the youngest Talent Search finalist in the history of this competition. Photo by Randall Cook.

After six albums that were tributes to the ‘rediscovered’ bluesmen that she had met personally, Rory Block’s new series is entitled ‘Power Women Of The Blues’. In her perceptive and well-written liner note she points out how difficult it must have been for women to pursue a career in blues along with all the other obstacles they would face in the Jim Crow South.

Dan Doiron becomes the third Canadian bluesman to sign with Chicago’s Earwig Music, after BC’s Les Copeland and Hamilton-born, Mississippi residing Guitar Mikey. Doiron calls Halifax home now being originally from Cape Breton and after several years as a sideman releases his fourth solo album.

This is a veteran Montreal trio led by a man who calls himself Riot. He plays guitar and sings while Big Papa Mike handles bass and Mark Di Claudio drums. André Chrétien adds keyboards for the CD. They play some fine rocking blues as those who were at the Aurora Winter Blues Festival will attest.

A sophomore album is always difficult but Spencer MacKenzie, now 18, has met that challenge and then some: his voice has matured and his songwriting has blossomed. Working with producer Dean Malton and on one track none other than Eddie Kramer, he has moved into the big leagues.

Set the time machine for 1981, Richard Newell’s then current LP, King Biscuit Boy, produced by Allen Toussaint in New Orleans, had been released in 1974. It was well received but there were frustratingly few recording opportunities after that. Enter Bob “Georgie Fab” Johnston and Darcy Hepner who wanted to get started in the music recording business and who approached Richard.

Congratulations to Women’s Blues Revue bandleader Rebecca Hennessy who was presented the 2018 Emerging Jazz Artist Award at the Toronto Jazz Festival. The $10,000 award is intended to support the pre-production, production, and/or recording of original music composed by the recipient. Photo by Randall Cook