Live Streaming Bootcamp with Guillermo Subauste
- May 4: “Audio” – including audio signals, including audio interfaces, different types of connections and levels.
- May 11: “Video” – including frame rates, lighting, colour correction, chroma keying.
- May 18: “Layouts & Overlays for Screen” – including layouts, OBS, Wirecast.
- May 25: “Streaming Platforms” – including platforms for streaming, bandwith, pay walls.
After a 2 year period at The Banff Centre, where he worked alongside great artists and producers (Jane Bunnet, The Bad Plus, Joni Mitchell) at the state of the art facilities in the heart of the Canadian Rockies, he moved back to Peru where he toured as the Front of House engineer for Adammo (Latin Grammy nomination and MTV Latin America Award recipient), mixing shows with audiences of up to 120,000 people. In December 2010 he moved to Toronto where he’s worked as an engineer for Revolution Recording, taught at Recording Arts Canada, toured with The Sadies, Gord Downie, Randy Bachman, Sarah Harmer and Kathleen Edwards. In 2015 he opened his own studio and gained more reputation as a mixing engineer and musician, sharing stage with Measha Brueggergosman, The Honeyrunners, Pat Robitaille and Cayley Thomas while also working on soundtracks for films such as “Dreaming of a Jewish Christmas”, Youtube Premium “Dallas and Robo”.
When the pandemic hit he started Stream Tune-Up (www.streamtuneup.com), a company that provides streaming solutions for different artists and organizations, as well as doing one on one consultations with artists wanting to improve their streams, happy clients include Sidedoor Access, Said The Whale, Creative Commons, STARS…, Sarah Slean, Dan Mangan, West Vancouver Memorial Library, The Horseshoe Tavern/Lee’s Palace, Lowest of The Low, Good Lovelies and more.
Recording of the First Week: Audio 101
Recording of the Second Week: Video 101
Recording of the Third Week: Layouts & Overlays for Screen
Recording of the Fourth Week: Streaming Platforms
