Toronto Blues Society | » Live Streaming Bootcamp with Guillermo Subauste

Live Streaming Bootcamp with Guillermo Subauste


Toronto Blues Society will continue to its online (Zoom) & free workshop series, with a Live Streaming Bootcamp with Guillermo Subauste, on May Tuesdays (4th, 11th, 18th, and 25th) between 1pm – 3pm ET. The last hour being reserved for Q&A.
Each week will again focus on a different general topic including:
  • May 4:Audio” – including audio signals, including audio interfaces, different types of connections and levels.
  • May 11:Video” – including frame rates, lighting, colour correction, chroma keying.
  • May 18:Layouts & Overlays for Screen” – including layouts, OBS, Wirecast.
  • May 25:Streaming Platforms” – including platforms for streaming, bandwith, pay walls.
 

 

Note from the instructor:We’ll cover audio signal routing, microphone techniques, interfaces, DAWs and interconnections between them. Different solutions for multi-camera streams as well as how to improve streams done with just one smartphone, chroma keying, background replacement and different lenses. DSLR, webcams, smartphones. We’ll also cover different encoding softwares to improve your stream, such as OBS, Wirecast, Vmix and Streamyard, as well as different platforms for destinations for our streams. Paid options vs free, social media outlets or white label alternatives.
You can click here or on the button below to register on Zoom for free. After registering, participants will receive a confirmation email containing information about joining the meeting. You will need to register only once and choose the weeks that you want to participate.

 

About Guillermo Subauste:
Guillermo Subauste has been performing, producing, song writing, mixing albums, recording and  doing live sound around the world for 20 years. He  emerged from the Peruvian punk rock scene of the early 2000s, with a DIY approach that allowed him to play countless shows, organize festivals and work as a sound engineer for several bands at a local studio in Lima, as well as doing live sound.

After a 2 year period at The Banff Centre, where he worked alongside great artists and producers (Jane Bunnet, The Bad Plus, Joni Mitchell) at the state of the art facilities in the heart of the Canadian Rockies, he moved back to Peru where he toured as the Front of House engineer for Adammo (Latin Grammy nomination and MTV Latin America Award recipient), mixing shows with audiences of up to 120,000 people. In December 2010 he moved to Toronto where he’s worked as an engineer for Revolution Recording, taught at Recording Arts Canada, toured with The Sadies, Gord Downie, Randy Bachman, Sarah Harmer and Kathleen Edwards. In 2015 he opened his own studio and gained more reputation as a mixing engineer and musician, sharing stage with Measha Brueggergosman, The Honeyrunners, Pat Robitaille and Cayley Thomas while also working on soundtracks for films such as “Dreaming of a Jewish Christmas”, Youtube Premium “Dallas and Robo”.


When the pandemic hit he started Stream Tune-Up (www.streamtuneup.com), a company that provides streaming solutions for different artists and organizations, as well as doing one on one consultations with artists wanting to improve their streams, happy clients include Sidedoor Access, Said The Whale, Creative Commons, STARS…, Sarah Slean, Dan Mangan, West Vancouver Memorial Library, The Horseshoe Tavern/Lee’s Palace, Lowest of The Low, Good Lovelies and more.


Recording of the First Week: Audio 101


Recording of the Second Week: Video 101


Recording of the Third Week: Layouts & Overlays for Screen


Recording of the Fourth Week: Streaming Platforms

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TBS logo and WBR artwork by Barbara Klunder


The Toronto Blues Society acknowledges the annual support of the Ontario Arts Council, the City of Toronto through the Toronto Arts Council and the Department of Canadian Heritage, and project support from FACTOR< and the Government of Canada through the Department of Canadian Heritage (Canada Music Fund) and of Canada’s Private Broadcasters, The Canada Council for the Arts, the SOCAN Foundation, SOCAN, the Ontario Media Development Corporation, and the Ontario Ministry of Tourism, Culture and Sport.

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